Saturday, June 5, 2010

Vector Calculations

It's been an interesting experience making RBN tracks, and I'd like to do it again, especially my own. However, it's hard to get a band interested due to the industry standard being at around $1000. Sure, you keep the royalties (at least all the good ones let the bands keep the profits), but if you're a small band looking for a way to get to millions of people, what are you to do? And what about us track makers who spend hours hammering out everything? We did the work, compensation is expected.

Therein lies the problem when you have a band that can't afford the up front costs. If you are one of the "biggies" of the RBN Authoring world, you can either find someone who can pay or break a deal.

One deal I was thinking about, and I'm posting here so we can have a debate on the ethics of the situation, is similar to that of Vector Marketing, or CutCo, to anyone who can do five seconds of research.

Yes, that scam we've all heard about and seen on college bulletin boards. Basically, here's the rundown:
1. Gullible student takes number from poster, calls it, breezes through interview, and gets hired as an "independent contractor".
2. Pays $150 for a "sample" set.
3. Is asked to bug friends and family to sell overpriced knives.
4. ???
5. PROFIT, but only if you're a douche to loved ones.

It's all commission based, and as you sell more, you get more commission. The logic behind that is, since first, you'll be selling to family and friends who'll take pity on your sorry ass, and be more likely to sell, that's when most of your money goes to the higher-ups. Fewer people sell a shitton, so obviously, the system works. There's more info on that at the links I've embedded.

Now, why do I propose a Vector Marketing/Cutco style system? Am I a scummy asshole too? No, I'm just good at math. The plan works the same way: Sell more songs, get more royalties. But, there are a couple distinct advantages:
1. A RBN song is only $1-2, not $900 like some Cutco products.
2. It's digital, so technically it can be purchased a lot of times simulataneously.

All that crap aside, here's how I break it down: If you pay a company that authors a song for a flat fee and lets you keep all the royalties, you begin in the hole. The authors get their compensation, but the focus here is on the artists. To make that initial, let's say $1000 back, you'll need to sell 3500 tracks. You might make that up in merch sales, you might not. With my system, you pay nothing, and by the time you reach that 3500 sales mark, it's about 60-40. Not exactly fair, but better than it was.

Let's take a look at the Vector system, vs. a flat fee (assuming .30 profit on a $1 song):
Up to 500th Download (90% goes to author)
Normal- Artist down $850
Vector- Author makes $135, Artist ahead $15

501-1000th Download (80% to author)
Normal- Artist down $700
Vector- Author up $255, Artist ahead $45

1001-1500th Download (70%)
Normal-Artist down $550
Vector- Author up $360, Artist ahead $90

1500-2000th Download (60%)
Normal- Artist down $400
Vector- Author up $450, Artist ahead $150

2001-2500th Download (50%)
Normal- Artist down $250
Vector- Author up $525, Artist ahead $225

2501-3000th Download (40%)
Normal- Artist down $100
Vector- Author up $585, Artist ahead $315

3001-3500th download (30%)
Normal- Artist ahead $50
Vector- Author up $630, artist ahead $420

Now, all of these numbers are adjustable, and I want feedback from other authors before I deem this legit.

It's only one possibility. I'm not springing it on anybody, and for a fan work (like Akira the Don) I'm going to be more apt to do it on their terms, because, hey, I like them, I like Rock Band and I want to see them succeed.

Friday, June 4, 2010

I'm Gonna Just Leave This Here...

1. Flirtin' With Disaster's solo is both a lot easier and more difficult than I realized. It still stays within this scale:

E--12--15-------------------------------------------
B----------12--15-----------------------------------
G------------------12--14---------------------------
D--------------------------12--14-------------------
A----------------------------------12--14-----------
E------------------------------------------12--14---

But there are parts like these:
B----15-13-13-12-12------12---------------|
G-12-------------------14----14-12-14-12--|
D--------------------------------------------|
A--------------------------------------------|
E--------------------------------------------|

B-----------------------------|
G----12----------------------|
D-14----14-12-14--12----12-|
A-------------------------14----|
E-----------------------------|

It's all in the same scale, but spread out over the strings. Guitarcardio.com had some exercises that address this, but it's riffs like these that make it much more difficult to learn real guitar.

But you know what? Even playing it slow, it feels good. That's one feeling I can never get from a plastic guitar.

Speaking of which:

2. OH HAI. I'M IN UR INTERNETZ LEAKIN' UR GAME

Wednesday, June 2, 2010

I Was The Greatest, He Was The Greatest, They Were The Greatest



From concept to completion, "Steven Wells (He Was The Greatest)" is up on the RBN for playtest!

I'm also working on a new song. The weird thing was, I only had it 3/4 written by the time I started recording, and now I got a lot of stuff to work with and make into a song. Sure, I'll revise it, but at least I got over that first step of actually doing it.

After this, I'll probably record a couple covers. After those are in the pan, I'll start up my own Facebook page, just to give an air of legitimacy.

AND YES I WILL FINISH FLIRTIN' WITH DISASTER. GOD YOU PEOPLE WHO DON'T VISIT AND THEREFORE DON'T REALLY PRESSURE ME TO DO ANYTHING. Although some of the transition licks were pretty badass. I'll put something up on those tomorrow.

Now if you'll excuse me, I have a paper on the fall of the Qing dynasty to finish so I can spend all June 8th playing Green Day Rock Band.

Thursday, May 27, 2010

The Theme Of This Post Is Green

1. As if you couldn't tell from Twitter, I plunked down the green to join XNA, and be able to play test songs.

Impressions:
"Bang Camaro" and "Nightlife Commando" by Bang Camaro- They were still version 1, but on my run through, it seemed good. A couple inappropriate chucks were charted, but other than that it seemed OK. Hard, but OK.
Bang Camaro brings up odd feelings inside me. I always worry about lyrics like "Will this make sense?" and "Does it convey what I want it to?" or "How does it fit in?"

"Bang Camaro" only had two words: Bang and Camaro. "Nightlife Commando"? More complex at a whopping 5 words: "He was a nightlife commando!" But as always, the guitar parts are not something us mortal men should attempt; they simply resonate forth from these holy guitars in machinations that can only be conceived with awe.

"493 Ruth" by Bomb The Music Industry- All I remember was screaming... and uh... that's about it. It was a fun song, but the sudden changes from two to three chords get a little disorienting. I think the vocals could have been mixed a lot louder.

2. Me and Akira The Don will be makin' green now that "Steven Wells" is in the system. I have a few thoughts on pricing and charging your client for charting, but I'll get into that another time.

3. Green Day Rock Band's demo is out for the PSN. Impressions? Why, yes!
Harmonies: Me and my brother played through both available songs "Welcome to Paradise" and "Boulevard Of Broken Dreams". It felt really good, like we were more into the song because of it. I played through Beatles Rock Band with some friends, and it looked good, but I wasn't as familiar with the songs we did harmonies on. Mostly it was used as an alternate key in the event that we couldn't hit the "main" track.

Welcome To Paradise: Hard as fuck on guitar. Nothing insurmountable, but when Green Day's involved, don't go in expecting a chordfest. Halfway through the song I got the rhythm down, but then the bridge came in.

Boulevard Of Broken Dreams: Bass = boring. One thing I noticed is that they chart the delay in the opening as separate chords. This also happened in Dead Kennedy's "Police Truck".

4. What else is green? Oh, uh... All the weed I sell to childr- I mean, um... Hmm... You know, it would seem like in a blog, I could edit out all those "buying time" words. And that selling drugs to ch-, um, yeah... But Punk Rock, Don't Care.

A solar powered amp! That's what I was thinking of.

Wednesday, May 26, 2010

It's Goin' On!

Oh man, I got so far in "Flirtin' With Disaster" this week it's not even funny. Or maybe it is, if you've got a weird sense of humor.

Right now, I got a couple songs on the table waiting to be recorded, as unfortunately, my setup at school sucks.

But, I move back home tomorrow, so hopefully I'll have some more updates for ya.